General
Description
The Nettar camera is a roll film camera which is truly
self-erecting, the front springing into working position
on slight pressure being applied to the button on the
side of the camera. The camera can thus be opened with
one hand. The usual operations of opening the baseboard
and pulling out the lens front into the infinity position
are obviated. When near objects are to be taken the
camera is focused for the appropriate distance by the
rotation of the front lens cell. The film is held flat in
the focal plane by a spring pressure plate.
A special advantage of the Nettar is the way in which
the flexible release is adjusted when not in use: there
is a catch on the inner side of the baseboard to hold the
flexible, so that it is impossible to lose or forget
it.
The film window in the camera back is sufficiently
protected so that it may be used also for panchromatic
films.
Before loading the camera for the first time all the
manipulations should be practised.
How to open the
Camera
Hold the camera in the hand with the top slightly
tilted forward and press open the spring button (1)
directly under the film winding key.
This releases the locked base-board, the lens (5)
springs forward automatically, and the struts (7) on both
sides of the bellows snap firmly into position.
The View
Finders
The cameras are equipped with a brilliant view finder
(4). It shows in reduced size nearly the same image as
formed by the lens on the film. The objects which the
picture is intended to include should be seen in the
finder.
When the camera is opened, the viewfinder is
ordinarily set for upright (vertical) pictures. When
oblong (horizontal) pictures are to be taken, the view
finder should be rotated to the limit of motion.
The composition of the picture is rendered much easier
by the use of a finder magnifier. The magnifier
attachment enlarges the small finder image about 5
times.
In addition to the reflecting finder, the Nettar
cameras are provided with a metal frame finder (11) (Fig.
2) with sight (12) lying flat against the side of the
camera body when not in use.
To look through this finder, approach the eye quite
close to the sighter and view through the centre of the
wire frame, which will then show the same image as
produced by the lens.
Closing the
Camera
Return the brilliant view finder back to its normal
position for upright pictures. Hold the camera in both
hands, as shown in Fig. 3, and depress the two side
struts (7) as shown in the illustration, whereby the
locking is released and the baseboard can be easily
closed. The lens front and the bellows fold up
automatically.
How to hold the
Camera while taking the Picture
The camera is specially designed as a hand camera and
will doubtless be used principally for taking snapshots
from the hand. When doing so, the camera should be held
firmly in the left hand and pressed against the body so
as to steady it as much as possible. The shutter should
then be operated with the right hand (see Fig. 4).
When taking photos at eye level look through the
sighter 12, and the frame 11. All objects visible in the
finder will be reproduced on the negative.
Care should be taken, that during the exposure the
horizontal and vertical lines of the object are parallel
to the correspoding lines of the finder frame as
otherwise the picture will be distorted.
Photographs requiring a longer exposure that
one-twenty-fifth second should be taken with the camera
fixed to a tripod. For this purpose, the camera has screw
threads for verticla and horizontal pictures (8 and 9).
The screw thread for vertical exposures is in the bottom
board the other one on the side of the camera body.
When it is desired to photograph without a tripod, the
camera may be set up on a table or firm base, the hinged
support (6) being then erected so as to serve as a
rest.
Films
Use the rollfilm BII8 giving 8 exposures three and
one-quarter inches by two and one-quarter inches. We can
highly recommend the rapid Ziess Ikon film "Orthochrom"
or "Panchrom" with which it is possibke to obtain very
satisfatory snapshots even on a dull day.
How to put in the
Film
The film spools can be put in the camera in daylight
and similarly removed in daylight after exposure. The
film may thus be changed without the need of a dark room,
which renders the camera particularly convenient for
tourists. It is, however, advisable not to change spools
in direct sulight and to interpose at least one's own
shadow.
Push the button (3) under the carrying handle in the
direction of the arrow. The back, which is hnged to the
camera body, is then unlocked and can be turned down.
A newly supplied camera contains in the spool chamber
near the film winder (2) an empty film spool for the
reception of the exposed film. The core of the film spool
is hollow at both ends and, when inseting subsequent
films, is easy to engage with the spool pins of the
camera.
Insert the empty spool in the upper spool chamber by
pressing the end with the round hole against the
resilient spool holder disk, the other end with the slit
being near the film winder (2). Turn the film winder till
its inner part enters the slit of the spool and causes
the spool to turn too.
Insert the unexposed spool into the opposite chamber,
beginning with the end near the resilient spool holder
disk to which pressure must be applied. The tapered end
of the protecting paper must point in the direction of
the empty spool.
After severing the white gummed slip draw the
protecting paper over the two nickel guide rollers and
thread it into the longest slit of the empty spool (Fig
5). Bind the protecting paper by turing the film winding
key about four half turns. When doing so see that the
protecting paper winds on straight and that it does not
foul the ends of the spool. Any tendancy of the film to
run crookedly should be corrected at once.
Close the back and turn the winding key until a
warning hand becoes visible in the red window in the back
of the camera. Shortly afterwards the No. 1 will appear.
The film is now in place for the first picture.
How to unload
the Camera.
When the last film section has been exposed, turn the
film key until the paper back is no longer visible in the
red window. Now seal the film with the adhesive strip
provided for the purpose and take out the spool by again
pressing it against the spring pin and lifting out the
other end (Fig. 6)
The shutters
The following facts refer to cameras whose release
trigger is operated on the shutter itself, at the
front.
Directions for the release on the camera body are
given page 19 and 20.
Nettar and
Derval shutter
The shutter allows speeds of one-twenty-fifth,
one-fiftieth and one-hundredth of a second and long or
short time exposures.
The lever and graduated scales for setting the shutter
speeds and the diaphragm are located on the upper part of
the shutter and can therefore be easily operated when the
camera is in position for exposure.
T Long time exposures
Set the lever (a) to the letter T. A pressure on lever
(b) or on the wire release which is screwed into the bush
(c) opens the shutter, which is closed by a second
pressure.
B Short time exposures
Set the lever (a) to the letter B. Open the shutter by
pressure on lever (b) and, immediately this pressure
ceases the shutter will close.
Instantaneous exposures
Set the lever (a) to 25, 50 or 100. A pressure on the
lever (b) or on the flexible release will give an
exposure of one-twenty-fifth, one-fiftieth or
one-hundredth of a second as desired.
Telma
shutter
The Telma shutter allows speeds of one-twenty-fifth,
one-fiftieth, one-hundredth and
one-one-hundred-and-twenty-fifth of a second with or
without delayed action release and for long or short time
exposures.
The lever and graduated scales for setting the shutter
speeds and the diaphragm are located n the upper part of
the shutter and can therefore be easily operated when the
camera is in position for exposure.
Instantaneous exposures without delayed action
release
With this hutter the exposure times are set by a ring
(f), which must be rotated in such a manner that its
index points to one of the numbers 25, 50, 100 or 125.
After setting the shutter by pressure on the lever (g),
make the exposure by pressure on the lever (b) or on the
flexible release which is screwed into the bush (c).
Instantaneous exposures with delayed action
release
The manipulation is the same as described above. In
addition to this, the clockwork must be set by means of
the lever (e). A pressure on lever (b) or on the flexible
release will then release the shutter after the clockwork
has first run down. i.e. after about 12 seconds.
Long time exposure
Place the index of the ring (f) to the letter T and
set the shutter by pressure on the lever (g). A pressure
on lever (b) or the flexible release opens the shutter
and a second pressure closes it.
Short time exposure
Place the index of the ring (f) to the letter B and
set the shutter by pressure on the lever (g). Open the
shutter by pressure on lever (b), immediately this
pressure ceases, the shutter will close.
The Iris disphragm
The diaphragm is set by the lever d1 and is
indicated on the scale by the pointer d.
Klio
shutter
With the Klio shutter it is possible to take
instantaneous exposures from one to
one-one-hundred-and-fiftieth (with lens 1:4.5) and to
one-one-hundred-and seventy-fifth (with lens 1:6.3) sec.,
with and without delayed action release, and long or
short time exposures.
The scales and levers for setting the shutter speeds
and diaphragm stops are conveniently located on the upper
part of the shutter, so that settings can be easily
operated when the camera is in position for exposure.
Instantaneous exposures
Turn the ring (f) until the red index points to one of
the figures 1, 2, 5, 10, 25, 50, 100 or 150 (175), which
represent fractions of a second. After setting the
shutter by pressing down the lever (g), open it by
pressure on lever (b) or on the wire release which is
screwed into the bush (c).
Instantaneous exposures with delayed action
release
The manipulation is the same as described above, and
in addition the delayed action release is set by means of
the lever (e). A pressure on the lever (b) or on the
flexible release sets the clockwork of the delayed action
release in motion and after about 12 seconds the shutter
is dischared in the usual way.
Long time exposures
Set the index of the ring (f) to the letter T. A
pressure on the lever (b) or on the flexible release
opens the shutter, which will remain open until a second
pressure closes it.
Short time exposure
Set the index of the ring (f) to the letter B and open
the shutter by a pressure on the lever (b) or on the
flexible release; immediately this pressure ceases, the
shutter will close.
The diaphragm
The diaphragm is set by means of lever
(d1). The indicator (d) shows the respective
stops on the scale.
Compur and
Compur Rapid Shutter, with and without delayed
action release
When delayed action release is not in use proceed as
follows:
T Long Time exposures
Turn ring (g) till letter T is on the index mark (a).
Pressure on lever (b) or on the flexible release inserted
at (c) opens the shutter, which will remain open till a
second pressure closes it.
B Short Time exposures
Turn ring (g) till letter B is on the index mark (a).
Pressure on the release opens the shutter, which will
close as soon as this pressure ceases.
Instantaneous exposures
Turn ring (g) till the speed chosen is on index mark
(a). Set the shutter by moving lever (e) to the right to
the limit of motion. Release the shutter by a pressure on
the lever (b) or on the flexible release. Lever (e) is
used only for instantaneous exposures of 1, 2, 5, 10, 25,
50, 100 and 250 (400 with Compur Rapid) of a second. When
the shutter is set for T or B, this lever is locked.
The Iris diaphragm
Set the diaphragm scale indicator (d) to the number
representing the aperture of the iris it is desired to
use.
When using the delayed action release proceed as
follows:
Instantaneous Work with the delayed action release for
speeds from 1 up to 100th (up to 200th with the Compur
Rapid) of a second
Set shutter as previously described by means of lever
(e). Then push button (f) aside in the direction of the
arrow and move lever (e) a little farther on, till it is
arrested a second time.
A pressure on lever (b) will set the clock work of the
delayed action release in motion and after about 12
seconds the release will discharge the shutter at the set
speed indicated on dial (g).
The camera
casing release
The fitting of the shutter release knob on the camera
body allows the camera to rest firmly in both hands when
exposing, while one finger of the left hand fires the
shutter.
If this release is inadvertantly pressed as the camera
is opened, it may happen that the release lever bcomes
detached and will not then fire the shutter. In this
event simply close the camera momentarily to bring the
release lever into the correct position.
NOTE:
The delayed action release is not available for use
with time exposures nor for speeds higher that 100th
(200th) of a second. When setting the shutter it is
advisable to exert a counter-pressure on the shutter
bearer in order to avoid excessive wear of the mecanism
and of the metal parts of the camera front.
The
stops
The diaphragm is set by the indicator (d). The
shifting of this pointer varies the size of the lens
aperture, which diminishes with the increase in the
number of the stop. The use of the smaller stops has the
great practical advantage that it provides a means of
increasing the general sharpness of the picture.
The stopping down of the lens aperture naturally has
the effect of diminishing the light transmitted by the
lens; therefore each succeeding stop requires
approximately twice the exposure of the preceding
one.
The exact time of exposure corresponding to a certain
stop is best taken from the exposure table supplied with
the camera, or it may be determined by the aid of the
Zeiss Ikon Diaphot, which we can recommend as a
thoroughly reliable exposure meter.
The Distance
Scale
is engraved upon the lens cell. By the rotation of
this cell the lens can be set to distances from infiity
to 6 or 5 feet resp. Settings to intermediate distances
as those marked on the scale, can easily be
estimated.
To the more advanced amateur it is a matter of some
interest to know what depth of definition he may reckon
with at the various sizes of stop and at different
distances. For this reason a depth of focus table is
appended. This table indicates to what distance and stop
the camera requires to be set in order to photograph
objects requiring considerable depth of focus, such as
landscapes with foreground, large groups comprising
persons in front 12 feet away, others some 33 feet from
the camera, and so forth. In the latter case the table
shows that with stop 11 and with the focussing scale set
to a distance of 18 feet, the depth of focus extends from
11 feet 5 inches to 42 feet 4 inches, from which it will
be seen that a group requiring a depth of 12-33 feet will
appear sufficiently sharp in the picture.
Taking the
Photograph
The camera requires to be focused according to the
distance of the object which is to be taken.
With stop 6.3 or 8 snapshots on a sunny day at a speed
of 100th second and with stop 3.5 or 4.5 at a speed of
250th second are possible. In dull light slower speeds
should be used and very fast moving objects should not be
photogrpahed or only when they are not too near.
On a bright day the diaphragm may be reduced to f/11
and the distance scale set to 48 feet for sake of
obtaining an equally sharp picture pf objects from the
farthest ditance to a foreground as near as 19 feet.
Portraits and near exposures at 6 to 7 feet should be
made only at full aperture of diaphragm.
Important:
To push the readiness of the Nettar for immediate use
to the utmost it is advisable to adjust it once for ever
in the following way:
Diaphragm about 12.5; Distance about 33 feet, which
adjustments are marked by red dots - and shutter 25th
sec.
Under these conditions all objects from infinity to a
distance of about 13 feet from the camera will give sharp
pictures, and, using Zeiss Ikon Film "Orthochrom" or
"Panchrom" the exposure time is sufficient even for
taking views on clear winter days between three hours
before and after noon.
Using
supplementary lenses
When taking photographs at short distances the camera
lens must be combined with a supplementary lens.
The lens f/6.3 with a supplementary lens No. 995/8 for
distances between 6 ft. 6 inches and 2 feet 10
inches.
The lens f/4.5 with a supplementary lens No. 995/24
for distances between 4 ft. 11 inches and 2 feet 6 inches
or a supplementary lens No. 995/25 for distances between
2 ft. 5 inches and 1 foot 7 inches.
The lens f/3.5 with a supplementary lens No. 995/48
for distances between 4 ft. 11 inches and 2 feet 6 inches
or a supplementary lens No. 995/49 for distances between
2 ft. 5 inches and 1 foot 7 inches.
Note: a depth of focus table has been scanned as an
image, for greater accuracy, and can be found in the
with-pictures version of
these instructions.
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